In four concerts, ALL THE WRONG NOTES: CHARLES IVES AT 150 celebrated the 150th anniversary of Charles Ives. Described variously as “gibberish,” “impossible,” like “awfully indigestible food,” Ives’ works draw directly from European techniques, suffusing them with the spirit and sounds of early 20th-century America. His musical agenda might best be summed up by the Connecticut minister who insisted on programming Ives over the protests of his congregation, blithely retorting: “After all, God gets awfully tired of hearing the same thing over and over again.”